Whether or not it's the most commercial aspect of the film, Mahesh falling in love with two girls in a record short time is the most exciting element. How many of the songs really had a situation going for them? It works to not have a situation when the hero is breaking into a song first time, but otherwise, songs do need some heft. Since 'Brahmotsavam' is a case of oft-repeated sentiment over substance, there comes a point where the audience feels the smart lines are showy.
Brahmotsavam 2016 review full#
In this film full of rich characters (in contrast to the middle-class SVSC family members), Addala's ability to capture the thinking of an average middle-class person comes through via Rao Ramesh's character.Īddala's characters are hardly straightforward in their talking and this is how he peps up otherwise insubstantial scenes. The playful duels involving two sides of bride and groom is another example of witty narration, however high-class it might seem. It bears testimony to Addala's intriguing narration that one heroine is planted a kiss by the hero, while the other heroine plans a kiss on the hero - both at an inflection point in their lives. The good, charming, rich son with lots of time at his disposal goes on an itinerary with Samantha, a contrast to the modern-minded Kajal Aggarwal.
To be sure, one single point is iterated, re-iterated, re-re-iterated, so on and so forth. Well, in real life, only schizophrenia can ensure this kind of recall power! See, 'Brahmotsavam' is all about celebrating 'suttam', 'beerakai suttam' and beyond! The large-hearted dad (his diary has this miraculous power to double up as a Gita-like guide to a family member with Arjuna-esque questions in her mind!), who has earned too much and who too doesn't think much, remembers the names of his daughter's friends. The son, who never told his father that he is his life, tells this much and goes on a mission. Now comes a point when Sathyaraj's 'dharma' is threatened by this apostate and Sathyaraj is shaken, stirred and more. The long-frustrated 'bavamaridi' questions the 'Brahmotsavam' consensus. Rao Ramesh's wish to seek a marriage alliance of his daughter (Pranitha Subhash) with Mahesh is now threatened. The entry of Kashi Annapurna (played by Kajal Aggarwal) into Mahesh's life results in a platonic relationship between the two. One of Sathyaraj's 'bavamaridis', played by Rao Ramesh, has been suffering from ego problem owing to Sathyaraj's status and he, and his wife (Jayasudha) having to be in a subordinate relationship to Sathyaraj. His faithful son, played by Mahesh, doesn't waste an 'avakasham' to break into a dance. Sathyaraj plays a rich businessman whose 'dharma' in life is to celebrate with everyone. Later, they take a stroll down a CG-enabled Vijayawada barrage, only to creatively talk about updations in the mentalities of boys and girls of today's generation. In this one-half-of-an-idea-thanklessly-stretched-into-a-modestly-over-indulgent-feature-film called 'Brahmotsavam', there is this heroine who asks the guy what if she gets excited in the presence of this ever-smiling hunk during a night's outing. Such is the wittiness of Srikanth Addala's narration. Anjana Soumya and Ramya Behara hold together the reggae-style start and eventual faux-folk move in Naidorintikada really well.There is this irony called Mahesh Babu (his character has no specific name, but he is allegorically Tirumala Srinivasudu) who claims to not think too much, but who puts up loaded stares one too many times. His trademark sound is apparent in Aata paatalaadu, with Karthik handling the solo in his inimitable style, while the extended, repetitive hooks are the highlight of the song, besides fantastic chorus parts.
He gets Padma and Sridevi to sing it with the requisite piety, but in an ambient new package. Mickey’s modern, pop-take on Madhurashtakam, in Madhuram madhuram, is fantastic. Mickey seems intent on covering electronic genre in Bala tripuramani and Put your hands up as well – while the latter is decent bubblegum-pop with obviously catchy dance hooks that are at times cringe-worthy, the former rocks, in Rahul Nambiar’s vocals and foot-tapping sound Mickey layers this one with his inventive world-music’ish interludes too, for added effect. The title song too carries the electronic sound, coupled with a neat title hook, this time headlined by Sreeramachandra. Vacchindi kada avakasam no doubt has the strong AVICII flavor, but the Telugu-EDM song is great, catchy fun, led wonderfully by Abhay Jodhpurkar.
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